Introduction to Music and Art in the Western World by Milo Wold 10th Edition

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history grade or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. Every bit with other subjects, most of what nosotros learn nigh art history today all the same centers on white men from Europe and, later, the United States. In reality, there are then many more artists of all genders to learn from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their fine art forms. From some of the fine art world'south nigh iconic pioneers to its virtually unsung heroes, these women artists all had a mitt — and, in some cases, still have a mitt — in changing the world of fine art and how we ascertain it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more xxx years. Afterward studying the piece of work of painters similar Cézanne and Monet while abroad, she returned to the The states, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Motion-picture show Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her serial of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of diverse generic female person moving-picture show characters, amid them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the operation Cut Slice, 1964, and a picture of the installation One-half-A-Room, 1967, as seen at the Museum of Modern Art in New York Metropolis in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first think of Yoko Ono as a musician and activist, but she'due south as well an accomplished functioning and conceptual artist. Ono was considered a pioneer in the performance fine art motion, earning the nickname the "High Priestess of the Happening".

One of her nigh revered works, Cut Piece, was a operation she first staged in Japan; Ono sat on stage in a squeamish adapt and placed scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cutting away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do it, I first to choke."

Betye Saar

Betye Saar's Blackness Daughter's Window, 1969 (total and detail). Photos Courtesy: Museum of Modern Fine art (MoMA)

Before condign a printmaker and activist, Betye Saar studied pattern and was employed equally a social worker. A printmaking elective changed her entire career trajectory — and, in turn, role of the trajectory of fine art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the play tricks is to seduce the viewer," Saar has said. "If yous can get the viewer to look at a work of fine art, then you might be able to requite them some sort of message."

Frida Kahlo

People look at Frida Kahlo's 1939 painting Las Dos Fridas at the World Forum of Civilisation in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'due south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like death and identity through her self-portraits. Kahlo oftentimes used bold, brilliant colors to create her symbol-rich works, and was regarded as one of the nearly influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's also known for her hyper-real sculptures, polka dots, installations, and and so much more. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her enduring Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Old First Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama'due south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo past Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald's work — and her signature grayscale peel tones — as she was the first Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Serial Red With Yellow in Albuquerque, New United mexican states. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, yous likely acquaintance Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, just peradventure, the skyscrapers of New York City. In the 1920s, she was the offset woman painter to proceeds the respect of the New York art world, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden King of beasts for best artist in Okwui Enwezor's biennial exhibition All the Globe's Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Enkindling/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York Urban center. She used her piece of work to question club, identity, and racial politics past enervating the audience to face up truths nigh themselves. She often challenged people on the streets of New York to estimate her race, socio-economic grade, and gender — all while dressed as a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photo in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photograph Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'southward works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual creative person, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human activity as meditations on various concepts, such equally trauma, knowledge, and hope. One of her more notable works, I Odour You On My Pare, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Agone)

Much of Rebecca Belmore's fine art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic N American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Footling Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop civilization and popular art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was 1 of the major figures within the early Feminist Art motion. Every bit exemplified in her iconic piece of work The Dinner Party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the first feminist art plan in the United states.

Augusta Roughshod

Augusta Savage with ane of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Eatables

Augusta Brutal was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In add-on to creating breathtaking sculptures, often of Black folks, Brutal founded the Fell Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the start Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "body art". (Merely look up her most famous piece of work, Interior Scroll, and you lot'll see what nosotros mean.) She used her body to examine women'south sensuality and liberation from the oppressive artful and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York City'due south queer subculture post-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol'due south Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this expect similar an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual artist known for her inexact replicas — that is, non-quite-right copies of big-proper name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. However, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Diverse hanging sculptures past Ruth Asawa at the De Young Museum in San Francisco. Photograph Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during Earth War II.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — merely in a way that conveys power and respect past evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photograph Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, writer, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and art to accost global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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